My paintings are developed through a process of overlapping, changing and transforming, in an organic accumulation of layers, images and previous tones that emerge and disappear, revealing the archeology of the past. 

The meaning of his works lies in this vital contradiction: to create images for the mass society that mimic his lexicon of uniformity and its palimpsest of alignments and textures, but which then reveal a pulsating nature. The flat or "united" colors can be glimpsed at a glance, whereas a worked color requires a slow and patient look.